If you've worked on a film set or recording studio that is pressured by a tight deadline (or headed by lazy producers), you might have heard the term, "We'll just fix it in post" before.
Indeed, the unfortunate bane of many a sound editor's life is background noise or inaudible dialogue that cannot be fixed, thus requiring additional ADR to fix the clip.
So for newer soundies and studio technicians who will be handling a range of recording equipment, what should you be aware of that can - and can't - be fixed later on?
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