5 Creative MASKING Effects You MUST KNOW for Davinci Resolve

 Do you want to create some AWESOME Masking Effects in Davinci Resolve? Well, then you came to the right video because you are going to learn 5 of them! 

 

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How 8 Scenes Were Filmed To Look Like One Take | Movies Insider

 Many movies have scenes shot to look like one long take. To do this, filmmakers will shoot a scene in long, unedited segments and then stitch them together. Action movies like “Atomic Blonde” will do this by having actors run in front of the camera to hide the cuts. For a one-take action sequence in Netflix’s “Extraction,” director Sam Hargrave had to strap himself to the roof of a vehicle and then quickly run off in order to get an uninterrupted shot of Chris Hemsworth. One-take scenes can help show the passage of time, like when Showtime needed to film a montage that took place over the course of five years in “Kidding.” Meanwhile, the Oscar winners “Birdman” and “1917” kept the one-take illusion going for their entire running times. In order to cover a lot of ground, both these movies traveled light: they relied on small handheld cameras as well as natural light in place of large light kits.

 

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Canon R6 - Its Advantages and Disappointments

 I spent about 2 months with the Canon R6 and like many cameras, there were many things I liked, but there were also some disappointments. Who should buy this camera? Does it overheat? Find out in this video.

 

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chroma key after effects - Perfect green screen in 5 minutes

Remove green screen and track motion in 5 minutes. Make your own hollywood effects at home with your smartphone

 

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Cinematic Color Grading - Take Advantage of Color Theory

 In order to do Cinematic color grading you need to understand why certain looks are used. This video digs into the idea of Color Theory and my goal is to show you how you can use this in any video from big hollywood cinema to your daily vlogs. 

 

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8 Steps to Cinematic Composition | Tomorrow's Filmmakers

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Teal and Orange Secret in Seconds (No LUTs)

 There is nothing quite like the beautiful color contrast that the teal and orange or orange & teal look creates. Contrasting warm skin tones to a cool background focuses the audiences eye on the talent, which come on, is the primary focus. Additionally it's kind of like a bottled up sunset or "magic hour" when the warm sunlight is illuminating everything directly and the sky is acting like a giant blue bounce card illuminating everything else that's in the shadows. In this tutorial I reveal how to get this coveted look without using LUTs that can often times break an image and not give you the results you're looking for. Other tutorials show how to do this but are too complicated and require too many steps making filmmakers feel overwhelmed. Whether you're in Adobe Premiere, DaVinci Resolve or Final Cut Pro X I show you the easiest and fastest way to get the coveted look in just two steps.

 

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3D WARP TRACKING IN FINAL CUT PRO | FCPX Surface Tracker Tutorial

 Track irregular moving surfaces in 3D space with the FCPX Surface Tracker from Pixel Film Studios. This plugin allows you to track irregular moving surfaces, such as faces, clothing or anything else that changes shape throughout your clip. Overlay a still image, text, or even video over your tracked area and watch it move and warp with your tracked subject in 3D space. If it bends, warps, turns, or moves quickly, FCPX Surface Tracker will track it. Users can quickly and easily apply their personal media to a warping surface using the FCPX Surface Tracker from Pixel Film Studios.

 

 

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Too Much Light?! | How to Control Sunlight on a Film Set

 In this episode, Valentina shows us how she shapes and supplements natural sunlight when she is shooting a bright, happy montage sequence. She scouts the location, rigs overhead lights, uses negative fill, and employs steadicam movement to get the look and feel of a cheery morning work routine. This look is very versatile and can apply to most commercials and romantic comedies. At the end of the day, we're looking at the difference between what looks flat, and what looks cinematic.

 

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How to Develop Your Visual Style | Realistic vs. Stylistic Lighting Explained

The bar scene is one of the most classic settings in film history, yet there are hundreds of ways to light it. Is it a dark and moody setup? Or more high-key and colorful? That’s where the visual style of the filmmakers behind the movie come into play. Depending on the style you are going for, it will influence your creative lighting decisions on moonlight, soft vs. hard light, motivated vs. stylistic lighting.

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8 Steps to Cinematic Lighting | Tomorrow's Filmmakers

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