In this episode, Valentina shows us how she shapes and supplements natural sunlight when she is shooting a bright, happy montage sequence. She scouts the location, rigs overhead lights, uses negative fill, and employs steadicam movement to get the look and feel of a cheery morning work routine. This look is very versatile and can apply to most commercials and romantic comedies. At the end of the day, we're looking at the difference between what looks flat, and what looks cinematic.
To video
Geen opmerkingen:
Een reactie posten