Color grading log video can be overwhelming, but this video offers a simple method for how to color grade log footage in Final Cut Pro the easy way. This video editing tutorial is perfect for anyone interested in video editing, especially video editing for beginners. You'll learn a straightforward approach to handle complex log footage with ease.
I spent over $17,000 and logged 200+ flight hours testing every single DJI drone on the market in 2025 to find out which one is actually worth your money. Before you spend $1,000 or more on a new drone, watch this video! I’m breaking down the entire DJI lineup—from the budget-friendly DJI Neo and Mini 4K to the professional-grade Mavic 4 Pro and Air 3S. The drone industry has a secret: the most expensive drone isn’t always the best. In this 2025 DJI Buyer’s Guide, I rank 10 drones based on camera quality, flight stability, and real-world value. Whether you are a beginner looking for your first drone under $500 or a professional filmmaker needing a 5.1K Hasselblad setup, I’ll show you where the "hidden gems" are in the current lineup.
Bekijk en stem voor het Filmgala 2026 tot 6 mei op jouw favoriet.
Twee leden van de Videoclub Vilvoorde nemen deel aan deze filmgala:
'Tocht door Laos' - Fred Lamon
'De Ongewenste Gast' - Hedwig D'Huyvetter
Apple just made a move that could change the future of Final Cut Pro… and it might not be great news for DaVinci Resolve users. Apple has acquired MotionVFX, the plugin company behind some of the best titles, transitions, effects, and tools available for Final Cut Pro. If you’ve been editing in FCP for a while, you probably know how big of a deal that is. MotionVFX plugins have filled a pretty big gap in Final Cut Pro for years when it comes to modern graphics, tracking tools, and overall flexibility.
Want to nail your video exposure every time? In this video, I am breaking down 4 must-have exposure tools: Histogram, Waveforms, Zebra, and False Colors!
This analysis examines the camera's remarkable dynamic range performance in both photos and video compared to higher-end models. It also investigates the long-term operating costs associated with different media storage and recording formats.
Woensdag 11 maart 2026 om 20 u in het Auditorium van Het Bolwerk, Bolwerkstraat 17 te Vilvoorde, is er FILMVERGADERING.
Deze avond ontvangen we onze filmvrienden van de Boomse filmclub BOCAM. BOCAM werd gesticht in 1962 en behoort daarmee tot de oudste amateurfilmclubs van Vlaanderen.
Ze brengen ons volgend filmprogramma:
Woensdag 18 maart 2026 om 20 u is er FILMVERGADERING met laureaatfilms van UNICA 2025, het internationaal filmfestival van amateurcineasten uit een 30-tal landen:
All of the new AI-Powered tools in Davinci Resolve 20 and how to easily use them. AI Audio Assistant, smooth cut, voice replacement, relighting subjects, slow motion and much more!
Cinematic looking movies, video and films is not about the Camera and Lens. As discussed in the last video, cinema cameras should not be the first and most important thing in filmmaking and good cinematographers know this. Good photography and video lighting is not just from using a softbox. In this video, we cover more about cinematic lighting and soft shadows. The big movie-look Youtubers want has nothing to do with anamorphic lenses, shooting RAW at 120fps at f1.2 or f1.4 with blurry backgrounds or bokeh or gimbal stabilization or color grading with high dynamic range. Without good lighting, the camera and lens are worthless. What makes things look cinematic is what goes IN FRONT of the camera and a big part of that is the Lighting, and it has nothing to do with RGB lights. This video is about what goes in front of the lights- namely diffusion choices used by big movie gaffers, key grips, DP and lighting departments. Good photography and video is SO much more than just using a softbox. And yes, I have a nicer mannequin head today lol.
