The Sony a7V is really impressive in lowlight, but only if you set it up right. In this video, I’ll break down everything you need to know to get clean, cinematic results in dark environments. From ISO settings and noise reduction to editing and exposure tricks that actually work.
DaVinci Resolve 21 Beta is finally here… but there are a few features in this update that didn’t get much attention—and some of them are seriously powerful. In this video, I break down the biggest new features in Resolve 21, plus a few hidden updates you might have missed—from new AI tools like IntelliSearch and Speech Generator to major improvements in editing, color, and even a brand new photo workflow inside Resolve.  If you’re a video editor using DaVinci Resolve, this is what actually matters in the new update—and what’s worth your time.
https://www.dropbox.com/scl/fi/elfhlk5wz5sw2u63s63b8/Scherm-afbeelding-2026-04-30-om-19.07.01.png?rlkey=el2tge0ntxsme7qs9yjlgdtgw&dl=0
Woensdag 13 mei 2026 om 20 u in het Auditorium van Het Bolwerk, Bolwerkstraat 17 te Vilvoorde, is er FILMVERGADERING met:
Woensdag 20 mei 2026 om 20 u is er FILMVERGADERING.
Deze avond staat volledig in het teken van Artificiële Intelligentie.
Curren Sheldon explores using camera metadata and external gyroscope devices to stabilize handheld footage in post-production. The process involves recording motion data alongside video files and using software to apply stabilization, offering alternatives to traditional in-camera methods like IBIS.
Simon d'Entremont evaluates photo quality across three cameras by producing large physical prints from identical scenes. The comparison highlights differences in detail, dynamic range, and low-light performance between a phone, an entry-level crop sensor, and a professional full-frame camera.
🔌⚡ Ever bought a USB-C cable that looked perfect… and then it charged slowly, failed with CarPlay, or refused to connect to your monitor? In this video, we break down the frustrating reality of USB-C and explain why two cables with the exact same connector can perform completely differently. From charging power and data speed to video output and compatibility issues, this guide will help you stop guessing and finally understand what actually matters when choosing the right USB-C cable. If you want one cable that works for your phone, laptop, monitor, car, and external drive, this is the video you need before buying another one.
Blame The Camera examines the current state of the photography industry and the risks of investing in declining hardware ecosystems. This analysis explores which manufacturers possess sustainable product roadmaps and why brand loyalty might lead consumers toward obsolete systems in an increasingly competitive market dominated by mirrorless technology.
The DaVinci Resolve 21 Public BETA is out! This is our roundup of all our favourite NEW features. Improvements to existing features will be covered in a separate video.
We filmed this at the top of a mountain… so yeah, couldn't pass up a cheesy rock joke. But these 4 Final Cut Pro tips actually do rock. And more importantly, they’re things we genuinely use in our edits all the time. In this FCP tutorial, I’m joined by @TheFinalCutBro and we’re going through a handful of practical FCP tips that aren’t just “nice to know”… they’re the kind of things that actually make your editing faster, cleaner, and way less annoying. No fluff. Just stuff you’ll actually use.
Heb je een Sony, A7V, A7IV, A7CII, A7SIII, A9III, A1II of A7RV bekijk dan deze video. Ik laat zien welke 10 instellingen ik altijd wijzig in de camera instellingen. Ideaal voor Sony gebruikers!
Het internet staat vol met slechte info over filmen in S-Log3. En daar was ik klaar mee! Dus ik heb een ouderwets diepgaande S-Log3 tutorial gemaakt, ramvol met al mijn kennis en de beste methode om log te belichten. S-Log3 LUTs: https://deugd.co/logluts
The Hyphenate does a detailed step by step tutorial on how to setup and use S-Log3 in the new Sony Alpha cameras such as the a7 V, a7S III, FX3, A1 II.
Heb je een nieuwe Sony camera? Zorg dat je deze instellingen meteen aanpast! Ik heb 20 instellingen op een rijtje gezet waarmee je camera direct beter is voor zowel videografie als fotografie.
Kijk mee achter de schermen hoe ik film met S-Log3! Je gaat mee naar Luxemburg en dan zie je hoe ik allerlei shots maak bij daglicht met ND filter, in de mist én in low light! Je ziet exact mijn aanpak en instellingen, uiteraard op basis van mijn theorie uit deel 1.
ChatGPT Images can do way more than generate pictures. Learn 14 incredible things you can do with ChatGPT Images, like edit photos, professional designs, remove backgrounds, design flyers, charts and restorations.
In this first episode of Watch Me Edit, Paddy Bird takes a documentary opening sequence that isn’t working and rebuilds it from the ground up. You’ll see, in real time, how character introduction, dialogue choice, pacing, sound design, and music all work together to create a more cinematic and intriguing opening. This isn’t about software tricks or shortcuts — it’s about slowing down, layering information, and pulling the audience into the story without giving everything away too soon.
Let's talk about ways you can use AI in wedding filmmaking that feel less... controversial?
Color grading log video can be overwhelming, but this video offers a simple method for how to color grade log footage in Final Cut Pro the easy way. This video editing tutorial is perfect for anyone interested in video editing, especially video editing for beginners. You'll learn a straightforward approach to handle complex log footage with ease.
I spent over $17,000 and logged 200+ flight hours testing every single DJI drone on the market in 2025 to find out which one is actually worth your money. Before you spend $1,000 or more on a new drone, watch this video! I’m breaking down the entire DJI lineup—from the budget-friendly DJI Neo and Mini 4K to the professional-grade Mavic 4 Pro and Air 3S. The drone industry has a secret: the most expensive drone isn’t always the best. In this 2025 DJI Buyer’s Guide, I rank 10 drones based on camera quality, flight stability, and real-world value. Whether you are a beginner looking for your first drone under $500 or a professional filmmaker needing a 5.1K Hasselblad setup, I’ll show you where the "hidden gems" are in the current lineup.
Bekijk en stem voor het Filmgala 2026 tot 6 mei op jouw favoriet.
Twee leden van de Videoclub Vilvoorde nemen deel aan deze filmgala:
'Tocht door Laos' - Fred Lamon
'De Ongewenste Gast' - Hedwig D'Huyvetter
Apple just made a move that could change the future of Final Cut Pro… and it might not be great news for DaVinci Resolve users. Apple has acquired MotionVFX, the plugin company behind some of the best titles, transitions, effects, and tools available for Final Cut Pro. If you’ve been editing in FCP for a while, you probably know how big of a deal that is. MotionVFX plugins have filled a pretty big gap in Final Cut Pro for years when it comes to modern graphics, tracking tools, and overall flexibility.
Want to nail your video exposure every time? In this video, I am breaking down 4 must-have exposure tools: Histogram, Waveforms, Zebra, and False Colors!
This analysis examines the camera's remarkable dynamic range performance in both photos and video compared to higher-end models. It also investigates the long-term operating costs associated with different media storage and recording formats.
Woensdag 11 maart 2026 om 20 u in het Auditorium van Het Bolwerk, Bolwerkstraat 17 te Vilvoorde, is er FILMVERGADERING.
Deze avond ontvangen we onze filmvrienden van de Boomse filmclub BOCAM. BOCAM werd gesticht in 1962 en behoort daarmee tot de oudste amateurfilmclubs van Vlaanderen.
Ze brengen ons volgend filmprogramma:
Woensdag 18 maart 2026 om 20 u is er FILMVERGADERING met laureaatfilms van UNICA 2025, het internationaal filmfestival van amateurcineasten uit een 30-tal landen:
All of the new AI-Powered tools in Davinci Resolve 20 and how to easily use them. AI Audio Assistant, smooth cut, voice replacement, relighting subjects, slow motion and much more!
Cinematic looking movies, video and films is not about the Camera and Lens. As discussed in the last video, cinema cameras should not be the first and most important thing in filmmaking and good cinematographers know this. Good photography and video lighting is not just from using a softbox. In this video, we cover more about cinematic lighting and soft shadows. The big movie-look Youtubers want has nothing to do with anamorphic lenses, shooting RAW at 120fps at f1.2 or f1.4 with blurry backgrounds or bokeh or gimbal stabilization or color grading with high dynamic range. Without good lighting, the camera and lens are worthless. What makes things look cinematic is what goes IN FRONT of the camera and a big part of that is the Lighting, and it has nothing to do with RGB lights. This video is about what goes in front of the lights- namely diffusion choices used by big movie gaffers, key grips, DP and lighting departments. Good photography and video is SO much more than just using a softbox. And yes, I have a nicer mannequin head today lol.
Learn more than 20 things about Insta360 Ace Pro 2. Best camera settings and filming modes. Lots of photo samples and footage is shown in the video. This is tutorial for beginners.
