16 BEST AI Tools in Davinci Resolve Studio

 All of the new AI-Powered tools in Davinci Resolve 20 and how to easily use them. AI Audio Assistant, smooth cut, voice replacement, relighting subjects, slow motion and much more!

 

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Why Hollywood Movies Look So Good PART 2

 Cinematic looking movies, video and films is not about the Camera and Lens. As discussed in the last video, cinema cameras should not be the first and most important thing in filmmaking and good cinematographers know this. Good photography and video lighting is not just from using a softbox. In this video, we cover more about cinematic lighting and soft shadows. The big movie-look Youtubers want has nothing to do with anamorphic lenses, shooting RAW at 120fps at f1.2 or f1.4 with blurry backgrounds or bokeh or gimbal stabilization or color grading with high dynamic range. Without good lighting, the camera and lens are worthless. What makes things look cinematic is what goes IN FRONT of the camera and a big part of that is the Lighting, and it has nothing to do with RGB lights. This video is about what goes in front of the lights- namely diffusion choices used by big movie gaffers, key grips, DP and lighting departments. Good photography and video is SO much more than just using a softbox. And yes, I have a nicer mannequin head today lol. 

 

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20+ THINGS YOU MAY NOT KNOW | Insta360 Ace Pro 2 TRAVEL TUTORIAL

Learn more than 20 things about Insta360 Ace Pro 2. Best camera settings and filming modes. Lots of photo samples and footage is shown in the video. This is tutorial for beginners. 

 

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Sony app REPLACED my monitors!

 Using your smartphone as a camera monitor might be the answer to one of the most common questions I get: “What’s the best monitor for my camera?” The truth? It could already be sitting in your pocket. And at no extra cost. The Monitor & Control app is free for the most part, and the features packed into it are seriously impressive — touch focus, exposure monitoring, remote control, and more. It’s powerful. It’s convenient. And for many creators, it could replace a dedicated external monitor entirely. But… it’s not perfect. And before you ditch your monitor, there are a few things you need to know.

 

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Why Hollywood Movies Look So Good

 Want Cinematic? Forget about the Camera and Lens. Cinema cameras are not what you should be focusing on for filmmaking and good cinematographers know this. The big movie-look Youtubers so badly want to emulate has nothing to do with anamorphic lenses, shooting RAW, at 120fps, f1.2 or f1.4 blurry backgrounds with soft bokeh or gimbal stabilization or color grading with LUTs with high dynamic range. No. What makes things look cinematic is what goes IN FRONT of the camera and a big part of that is the Lighting, and we are not talking about RGB lights here! Nosiree Bob. This video is about what goes in front of the lights- namely the myriad of diffusion choices used by big movie gaffers, grips, DP and lighting departments. Good photography and video is SO much more than just using a softbox. 

 

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ANAMORPHIC on VHS, Medium format film, Helios 44-2, and others + footage!

 I tested Laowa 1.33 Anamorphic adapter Amber Flare on my Sigma 35mm 1.4 art lens, on my first camera - Sony mini DV, Helios 44-2, and Laowa 100mm 2x macro lens.

 

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ULTIMATE Exposure Guide: Histogram, Waveforms, Zebra, False colors - Camera Monitor Tools

 Want to nail your video exposure every time? In this video, I am breaking down 4 must-have exposure tools: Histogram, Waveforms, Zebra, and False Colors!

 

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How to EXPOSE SLOG3 Correctly - Sony A7IV - FX3 - A7sIII - FX30 - Settings & Exposure - CINEMATIC

  In this video I’m sharing my personal approach to exposing for Sony S-Log3 WITH and WITHOUT an external monitor. I also touch on why you don’t have to overexpose and the dangers of blindly trusting the multimeter. 

 

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The Best Video Editor: Premiere vs Final Cut vs Resolve

Comparing the best video editing software: Premiere Pro, Final Cut Pro and DaVinci Resolve

 

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The TRUTH About Final Cut Pro 12 vs Creator Studio

 A clear, no-fluff breakdown of Apple’s new Creator Studio—what it costs, the new FCP features (Beat Detection, Visual Search, Transcript Search, Montage Maker), how it compares to the one-time-purchase Final Cut Pro 12, and whether you should stick with FCP or subscribe.

    

 

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