The Science of Sound in Film — Film Sound Recording for Beginners

Recording Sound for Film — We look at one of the hardest elements to master when making a movie: capturing audio.

 

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Vrijbroekpark Mechelen - Hotelruïne - Spookhotel

Film van Hedwig D'Huyvetter

Documentaire

Camera: SonyA7 IV, Pansonic DVX200. Opnamen in 4K en export in HD

 

Montage: Final Cut Pro 11

Geschiedenis over een hotelruïne dat in 2025 werd toegevoegd aan het Vrijbroekpark van Mechelen. Eveneens beelden van dit spookhotel, fragmenten van film- en filmsetopnamen anno 2017.

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The Best Video Editor in 2025: Premiere vs Final Cut vs Resolve

 Comparing the best video editing software: Premiere Pro, Final Cut Pro and DaVinci Resolve

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DaVinci Resolve 20 Just UPGRADED Speed Ramping — But There’s a Catch

 DaVinci Resolve 20 just introduced an upgrade to speed ramping… but it’s not quite the game-changer we were hoping for. In this video, I walk you through exactly how the new system works, how to use it step-by-step — and where it still falls short. That’s why I created a concept fix — a better, faster way speed ramping could work in Resolve. If you’ve ever been frustrated with the current method (Fusion nodes, keyframes everywhere, confusing curve handles...), this idea is for you.

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Make Your Shots POP with Color Grading

 n this episode, I’m color grading a viewer-submitted music video shot and showing step-by-step how to turn a flat image into something punchy, professional, and full of emotion. We’ll walk through how to use tools like color wheels, HSL curves, vectorscope monitoring, masking techniques, and even a powerful plugin to finish off the look. If your footage is feeling dull or lifeless, these color grading tips will help bring your shots to life—especially when working in Final Cut Pro. We’ll also go over how to direct the viewer’s eye, clean up skin tones, and add that final cinematic touch.

 

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The Secret to Smooth Speed Ramps in FCP (No More Choppy Edits!)

 Ever tried speeding up a clip in Final Cut Pro and ended up with something… janky? 😅 In this video, I’ll show you how to properly speed ramp in Final Cut Pro using built-in tools and how to take your edits to the next level with smooth motion blur using MotionVFX’s Motion Blur AI.

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Final Cut Pro 11.1 | Everything You Need to Know

 Final Cut Pro 11.1 is here! In this video, I walk you through everything new in the latest FCP update—from long-awaited native Adjustment Clips, to Magnetic Mask improvements, Image Playground AI features, and a powerful new audio effect: the Quantec Room Simulator. While this isn’t the huge update many of us are hoping for, there are definitely some handy improvements and bug fixes that Final Cut Pro users will appreciate. Whether you're a beginner or a seasoned editor, these changes will help you work faster and stay organized inside FCP.  

📌 What’s New in Final Cut Pro 11.1: 

Native Adjustment Layers (called Adjustment Clips) 

Image Playground: AI-generated image tool (macOS 15.2 required) 

Magnetic Mask UI and tracking improvements 

New shortcut to show/hide the Magnetic Mask Editor 

Quantec Room Simulator: Realistic reverb audio plugin 

Rename audio effects directly in the Inspector 

New shortcut to reveal Multicam clip sources in browser (Shift + F) 

You can finally move markers in the timeline! 

Multiple bug fixes that improve stability and performance

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The MOST IMPORTANT Concept in Colour Grading

 

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Not What I Expected - GoPro 13 Black OVERHEATING FREEZING TEST vs. DJI Action 4 vs. Insta360 ACE PRO

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No Extra Equipment Needed: Transmitting Timecode Through Cable Without Additional Equipment

 This is a great way to get started with Timecode — if you have any device that features a timecode output port. Then once you gotten to know the system, you can learn about the other devices like the Tentacle Sync E and others. Let's jump in.

 

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