DJI Store: http://click.dji.com/Fz24rPg2xVMezMxr
— DJI Osmo Plus, the best stabilizer I've ever used. So far the clear
winner of my Rocky Test. A great product that almost no one realizes it
exists.
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We take a look at the new DJI Osmo+, the newest version of the Osmo handheld gimbal stabilizer that adds an optical zoom range.
Find out more about the DJI Osmo+: http://bit.ly/2lk9lWk
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Overview of the Settings:
Shutter Speed
Controls how LONG light hits the sensor each second. Also controls motion blur effects.
Saving Private Ryan is a great example of how a fast shutter speed can be used for tension.
The Bourne movies are a great example of slow shutter speeds (when Jason is dreaming/remembering his past).
180 Degree rule explanation.
Aperture
Controls how MUCH light hits the sensor. Also controls depth of field or how much of the shot is in focus.
ISO
Controls the sensitivity (brightness) of sensor. Noise can be introduced at high ISO levels so try to avoid those.
How I Use These Settings:
1) Set shutter speed for desired look (180 rule is applied when I shoot most of the time)
2) Set aperture for desired depth of field.
3) Use ISO to make final exposure changes.
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Take the full Filmmaker IQ course on The Journey to Modern Computer Editing with sauce and bonus material at: https://filmmakeriq.com/courses/journ...
Trace
the history of modern day film editing - starting with electronic
engineers developing solutions for capturing and editing television
through to the first computerized editing systems.
Video part 1
Video part 2
My favorite filmmaking gear: https://kit.com/whoismatt
In
case you haven't been paying attention, there is a total revolution
going on in the world of camera stabilization. For five of the past six
years, I have used, loved, and traveled with the Glidecam HD-4000 to
every wedding I have filmed. Now, with the advent electronic gimbal
stabilizers such as the Movi and Ronin, it is looking more and more like
the Steadicams and Glidecams of the world are becoming obsolete.
Weights, muscles, and basic physics are being replaced by motors,
algorithms, and computers. Okay, maybe not the muscles, electronic
gimbals are plenty heavy too.
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My favorite filmmaking gear: https://kit.com/whoismatt
Color
grading has always been one of my favorite facets of cinematography.
Think about the warm reds and oranges of Mad Max, or the darker hues of
The Revenant. The ability of a colorist to alter the mood and feel of a
film through hues and saturation is incredibly powerful. I've been
wanting to make a color grading tutorial for years, but it wasn't about a
year ago that I felt that I had learned enough to even consider doing
that. I knew that the time was right when I finished creating my video
about my favorite picture profile for the A7Sii.
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