Curren Sheldon explores using camera metadata and external gyroscope devices to stabilize handheld footage in post-production. The process involves recording motion data alongside video files and using software to apply stabilization, offering alternatives to traditional in-camera methods like IBIS.
Simon d'Entremont evaluates photo quality across three cameras by producing large physical prints from identical scenes. The comparison highlights differences in detail, dynamic range, and low-light performance between a phone, an entry-level crop sensor, and a professional full-frame camera.
🔌⚡ Ever bought a USB-C cable that looked perfect… and then it charged slowly, failed with CarPlay, or refused to connect to your monitor? In this video, we break down the frustrating reality of USB-C and explain why two cables with the exact same connector can perform completely differently. From charging power and data speed to video output and compatibility issues, this guide will help you stop guessing and finally understand what actually matters when choosing the right USB-C cable. If you want one cable that works for your phone, laptop, monitor, car, and external drive, this is the video you need before buying another one.
Blame The Camera examines the current state of the photography industry and the risks of investing in declining hardware ecosystems. This analysis explores which manufacturers possess sustainable product roadmaps and why brand loyalty might lead consumers toward obsolete systems in an increasingly competitive market dominated by mirrorless technology.
The DaVinci Resolve 21 Public BETA is out! This is our roundup of all our favourite NEW features. Improvements to existing features will be covered in a separate video.
We filmed this at the top of a mountain… so yeah, couldn't pass up a cheesy rock joke. But these 4 Final Cut Pro tips actually do rock. And more importantly, they’re things we genuinely use in our edits all the time. In this FCP tutorial, I’m joined by @TheFinalCutBro and we’re going through a handful of practical FCP tips that aren’t just “nice to know”… they’re the kind of things that actually make your editing faster, cleaner, and way less annoying. No fluff. Just stuff you’ll actually use.
Heb je een Sony, A7V, A7IV, A7CII, A7SIII, A9III, A1II of A7RV bekijk dan deze video. Ik laat zien welke 10 instellingen ik altijd wijzig in de camera instellingen. Ideaal voor Sony gebruikers!
Het internet staat vol met slechte info over filmen in S-Log3. En daar was ik klaar mee! Dus ik heb een ouderwets diepgaande S-Log3 tutorial gemaakt, ramvol met al mijn kennis en de beste methode om log te belichten. S-Log3 LUTs: https://deugd.co/logluts
The Hyphenate does a detailed step by step tutorial on how to setup and use S-Log3 in the new Sony Alpha cameras such as the a7 V, a7S III, FX3, A1 II.
