0:00 - Intro
2:13 - Frame Rate
3:36 - Shutter Speed
4:38 - ND Filters
5:48 - Creating Motion
6:53 - Stability
8:18 - Lighting
9:35 - Picture Profile
10:43 - Audio
11:26 - Sound Design
12:28 - Want to Learn More?
0:00 - Intro
2:13 - Frame Rate
3:36 - Shutter Speed
4:38 - ND Filters
5:48 - Creating Motion
6:53 - Stability
8:18 - Lighting
9:35 - Picture Profile
10:43 - Audio
11:26 - Sound Design
12:28 - Want to Learn More?
Nowadays the only thing that really limits VFX is the time that can be spent on it, or in other words; the budget. If production companies are willing to pay for the time it takes to get the VFX perfect, they WILL BE PERFECT. Unfortunately, this doesn't always translate into a box office hit. Although cheap and poorly executed VFX can make a good movie bad, high-quality VFX won't make a bad movie good.
1917 follows the story of two British soldiers as they rush to try and stop a British attack falling into an ambush. The fact that the story follows these soldiers led director Sam Mendes to the idea of making the film one continuous shot following them on their mission.
Steve delivers a full 58 minute FCP class for beginners that includes the media for following along with him in FCP.
Download the media - https://bit.ly/fcp-ripple-media
To video
Oh that pesky FCPX. You've downloaded it, installed it, and you're well into your journey into a glorious new life of faster editing and quicker renders. BUT....that Magnetic Timeline keeps finding ways to stick in your crawl, and you keep wanting to stick a darn slug in your Primary Storyline! You want to love it but you find yourself fighting it, and you're tempted - TEMPTED - to watch those other YouTube videos talking about how to turn off the Magnetic Timeline. But why do you want to know how to disable the Magnetic Timeline?