There is nothing quite like the beautiful color contrast that the teal and orange or orange & teal look creates. Contrasting warm skin tones to a cool background focuses the audiences eye on the talent, which come on, is the primary focus. Additionally it's kind of like a bottled up sunset or "magic hour" when the warm sunlight is illuminating everything directly and the sky is acting like a giant blue bounce card illuminating everything else that's in the shadows. In this tutorial I reveal how to get this coveted look without using LUTs that can often times break an image and not give you the results you're looking for. Other tutorials show how to do this but are too complicated and require too many steps making filmmakers feel overwhelmed. Whether you're in Adobe Premiere, DaVinci Resolve or Final Cut Pro X I show you the easiest and fastest way to get the coveted look in just two steps.
donderdag 6 mei 2021
3D WARP TRACKING IN FINAL CUT PRO | FCPX Surface Tracker Tutorial
Track irregular moving surfaces in 3D space with the FCPX Surface Tracker from Pixel Film Studios. This plugin allows you to track irregular moving surfaces, such as faces, clothing or anything else that changes shape throughout your clip. Overlay a still image, text, or even video over your tracked area and watch it move and warp with your tracked subject in 3D space. If it bends, warps, turns, or moves quickly, FCPX Surface Tracker will track it. Users can quickly and easily apply their personal media to a warping surface using the FCPX Surface Tracker from Pixel Film Studios.
Too Much Light?! | How to Control Sunlight on a Film Set
In this episode, Valentina shows us how she shapes and supplements natural sunlight when she is shooting a bright, happy montage sequence. She scouts the location, rigs overhead lights, uses negative fill, and employs steadicam movement to get the look and feel of a cheery morning work routine. This look is very versatile and can apply to most commercials and romantic comedies. At the end of the day, we're looking at the difference between what looks flat, and what looks cinematic.
To video
How to Develop Your Visual Style | Realistic vs. Stylistic Lighting Explained
The bar scene is one of the most classic settings in film history, yet there are hundreds of ways to light it. Is it a dark and moody setup? Or more high-key and colorful? That’s where the visual style of the filmmakers behind the movie come into play. Depending on the style you are going for, it will influence your creative lighting decisions on moonlight, soft vs. hard light, motivated vs. stylistic lighting.
8 Steps to Cinematic Lighting | Tomorrow's Filmmakers
donderdag 29 april 2021
How to Film a Scene with One Camera
A beginner's guide to understanding how to shoot a scene with one camera. With Stanley Kubrick's The Shining as example!
dinsdag 27 april 2021
How Filmmakers Make Cameras Disappear | Mirrors in Movies
maandag 12 april 2021
zondag 11 april 2021
Color Correct LOG Like a Pro in Final Cut Pro (No Conversion LUTs or PLUGINS)
This video is for FCPX - How to Color Correct and Colour Grade with NO Conversion LUTS or PLUGINGs.
I also made this workflow for Premiere Pro and DaVinci Resolve, you can find those here:
►Premiere Pro: https://youtu.be/8lTUqg9uHRg
►DaVinci Resolve: https://youtu.be/NkZ2c9xPYoA