Learn more than 20 things about Insta360 Ace Pro 2. Best camera settings and filming modes. Lots of photo samples and footage is shown in the video. This is tutorial for beginners.
Learn more than 20 things about Insta360 Ace Pro 2. Best camera settings and filming modes. Lots of photo samples and footage is shown in the video. This is tutorial for beginners.
Using your smartphone as a camera monitor might be the answer to one of the most common questions I get: “What’s the best monitor for my camera?” The truth? It could already be sitting in your pocket. And at no extra cost. The Monitor & Control app is free for the most part, and the features packed into it are seriously impressive — touch focus, exposure monitoring, remote control, and more. It’s powerful. It’s convenient. And for many creators, it could replace a dedicated external monitor entirely. But… it’s not perfect. And before you ditch your monitor, there are a few things you need to know.
Want Cinematic? Forget about the Camera and Lens. Cinema cameras are not what you should be focusing on for filmmaking and good cinematographers know this. The big movie-look Youtubers so badly want to emulate has nothing to do with anamorphic lenses, shooting RAW, at 120fps, f1.2 or f1.4 blurry backgrounds with soft bokeh or gimbal stabilization or color grading with LUTs with high dynamic range. No. What makes things look cinematic is what goes IN FRONT of the camera and a big part of that is the Lighting, and we are not talking about RGB lights here! Nosiree Bob. This video is about what goes in front of the lights- namely the myriad of diffusion choices used by big movie gaffers, grips, DP and lighting departments. Good photography and video is SO much more than just using a softbox.
I tested Laowa 1.33 Anamorphic adapter Amber Flare on my Sigma 35mm 1.4 art lens, on my first camera - Sony mini DV, Helios 44-2, and Laowa 100mm 2x macro lens.
Want to nail your video exposure every time? In this video, I am breaking down 4 must-have exposure tools: Histogram, Waveforms, Zebra, and False Colors!
In this video I’m sharing my personal approach to exposing for Sony S-Log3 WITH and WITHOUT an external monitor. I also touch on why you don’t have to overexpose and the dangers of blindly trusting the multimeter.
A clear, no-fluff breakdown of Apple’s new Creator Studio—what it costs, the new FCP features (Beat Detection, Visual Search, Transcript Search, Montage Maker), how it compares to the one-time-purchase Final Cut Pro 12, and whether you should stick with FCP or subscribe.
Beat Detection in Final Cut Pro is not a gimmick. It’s surprisingly a very useful FCP tool once you actually know how to use it and it can even be used for sound design. In this Final Cut tutorial, I’ll show you real, practical ways to use Beat Detection in Final Cut Pro, from editing music faster to fixing bad timing, building better sound design, and creating clean music edits that don’t sound amateur. We’ll break down what the beat grid actually means, how to enable and control it, and why those different beat markers matter. If you’ve ever felt like your cuts were almost right, your music edits sounded off, or your sound design took way longer than it should, then this video will completely change how you work in Final Cut Pro.
Woensdag 11 februari 2026 om 20 u is er FILMVERGADERING met:
LET OP !!!
Woensdag 18 februari 2026 is er GEEN VERGADERING om reden van het KROKUSVERLOF.
Tijdens verlofperiodes mag niet worden vergaderd in het Cultureel Centrum.