False color is one of the most effective exposure tools for digital cinematography out there. This quick tip explains how to understand your false color readout to achieve perfect exposure.
Most digital cinematographers are well versed in common in-camera exposure tools such as zebras or histograms, but few are familiar with false color. Unlike the more common exposure tools, false color is a feature usually reserved for higher-end broadcast monitors or EVFs. As such, younger filmmakers usually have less experience with it. They don’t use it to their advantage on set the way they should.Naar link