donderdag 31 december 2015

6 Tips to Understanding White Balance and Color Temperature

Fix White Balance / Color Balance for Video Using FCPX (Final Cut Pro X)

Take One Minute to Learn How to Correct White-Balance in Premiere Pro

Finding out that your white balance was set incorrectly can lead to a sinking feeling.
Not because it's impossible or even difficult to correct, but because you just know that fixing it in post is going to be a lengthy, tedious process. Luckily, the process is not as bad as you might think, and if you're a Premiere Pro user, you can fix funky white balances in at matter of seconds with the "Fast Color Corrector" effect.

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maandag 28 december 2015

4K Ultra HD Camcorder Panasonic HC-X1000

LUT

What is a Look Up Table (LUT), Anyway?

There are a lot of great tools out for grading and finishing. Cineform’s First Light has been out for a while now and Red Giant’s LUT Buddy was just released. Technicolor also released their CineStyle profile for Canon DSLRs and their documentation talks about using the included Look Up Table (LUT) in the post processing of your footage. The new Sony F3 will soon have a firmware upgrade that enables an uncompressed 4:4:4 S-LOG mode that utilizes LUTs. So, what exactly is a LUT?

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Color Grading LUT Master Guide

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Looks, Picture Profiles , LUTs and Log

Why, when and how you should use them.

There seem to be quite a few people out there who are not quite sure why, when and how you should use a Look, Picture Profile, LUT or LOG when your filming. I’m going to explain the basic differences between them and run you through how to use them in the real world.
There are so many LUTs, film stock emulation and scene files available today that it can be hard to know what will work best for you. I am also going to look at some of these available options and provide some tutorials on how to use them.
First of all let’s break down the difference between a LUT and a Look, scene file or Picture Profile.
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Shooting 4K Anamorphic and V-Log with Panasonic’s GH4. Ten Valuable Lessons. 

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Panasonic V-Log L vs. Cinelike D - Side by Side Comparisons 

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GH4 CineD Vs CineV

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Panasonic V-Log L vs. Cinelike D - Side by Side Comparisons 

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vrijdag 25 december 2015

Camerasensoren

De ziel van een digitale camera is de sensor. Deze bepaalt het beeldformaat, resolutie, scherptediepte en dynamisch bereik. 



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Four Thirds system
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woensdag 23 december 2015

Booming techniques

How do you get the best sound with a boom mic? Find out in this tutorial, as video production expert Anthony Q. Artis explores different boom positions. 

Video production tutorial: Booming techniques

Audio MIXERS

MixPre-D

The MixPre-D sets a new standard for compact, high-performance portable audio mixers. Powered by only two-AA batteries or 10-18 VDC, the MixPre-D is designed specifically for audio professionals needing the most flexible connectivity in production applications where capturing great sound is important, but size and weight are a concern. The MixPre-D is also a class compliant USB portable audio hardware interface for Mac OS, Windows or Linux computers. 

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MixPre-D video

MixPre-D and iPad integration

 

Sound Divices 302 Mixer
The Sound Devices 302 is a three-channel mixer that features a compact size and intuitive design. All the controls that are needed for operation are located on the front of the unit, making it easy to operate even when in a bag.
Layout on the front panel is built for quick operation. You should be aware that input two has a slide switch above it that reverses polarity. It is a common mistake to activate this thinking that it is a filter. When activated, the switch turns off input number two, so make sure to check this setting.
The audio quality of the 302 mixer is excellent. It packs a lot of features into a low profile unit that is rugged and lightweight. This time-tested mixer will provide years of reliable service in any configuration.

Sound Devices 302 Mixer video 1

Sound Devices 302 Mixer video 2

Video production tutorial: Hooking up a field mixer