SteadXP+ First Look Review - A Promising Camera Stabilization System

 The SteadXP box attaches to your camera and records all the motion data of your camera so that you can stabilize your footage in post-production. Let's take a closer look at it in this hands-on review.

 

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The Most Common Mistake Every Beginner Colorist Makes | DaVinci Resolve 17 Tutorial

FREE 1-hour Color Grading Training: https://bit.ly/2J0aOig  

0:00 Intro  

0:57 FREE 1-hour training teaser  

1:31 Talent Spotting 

 2:19 Beginner's Look  

9:31 Pro's Look  

19:20 Look Recap  

20:55 Final Look  

21:11 Conclusion 

In this video, I will reveal the most common mistake every beginner colorist makes and how to correct it.

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InsideThailand

Film van Fred Lamon 

 

Duur :  20 min.

Camera: Sony FDR AX1 UHD

Montage : FCPX in UHD

Geüpload : in HD

 

 

In Thailand kunt ge niet voorbij de honderden, wat zeg ik, duizenden tempels.

Maar die hebben we al genoeg gezien.

Deze film gaat dan ook vooral over de Thai zelf, hoe ze op het platteland proberen te overleven, hoe ze hun godsdienst belijden.

Wij hadden een plaatselijke gids die ons op afgelegen plaatsen bracht, ons liet kennis maken met hun cultuur en vooral de gevarieerde culinaire troeven van Thailand.

Ik beschouw deze film niet als documentaire, eerder een weergave van onze reiservaringen.

 

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5 Creative MASKING Effects You MUST KNOW for Davinci Resolve

 Do you want to create some AWESOME Masking Effects in Davinci Resolve? Well, then you came to the right video because you are going to learn 5 of them! 

 

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How 8 Scenes Were Filmed To Look Like One Take | Movies Insider

 Many movies have scenes shot to look like one long take. To do this, filmmakers will shoot a scene in long, unedited segments and then stitch them together. Action movies like “Atomic Blonde” will do this by having actors run in front of the camera to hide the cuts. For a one-take action sequence in Netflix’s “Extraction,” director Sam Hargrave had to strap himself to the roof of a vehicle and then quickly run off in order to get an uninterrupted shot of Chris Hemsworth. One-take scenes can help show the passage of time, like when Showtime needed to film a montage that took place over the course of five years in “Kidding.” Meanwhile, the Oscar winners “Birdman” and “1917” kept the one-take illusion going for their entire running times. In order to cover a lot of ground, both these movies traveled light: they relied on small handheld cameras as well as natural light in place of large light kits.

 

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Canon R6 - Its Advantages and Disappointments

 I spent about 2 months with the Canon R6 and like many cameras, there were many things I liked, but there were also some disappointments. Who should buy this camera? Does it overheat? Find out in this video.

 

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chroma key after effects - Perfect green screen in 5 minutes

Remove green screen and track motion in 5 minutes. Make your own hollywood effects at home with your smartphone

 

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Cinematic Color Grading - Take Advantage of Color Theory

 In order to do Cinematic color grading you need to understand why certain looks are used. This video digs into the idea of Color Theory and my goal is to show you how you can use this in any video from big hollywood cinema to your daily vlogs. 

 

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8 Steps to Cinematic Composition | Tomorrow's Filmmakers

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Teal and Orange Secret in Seconds (No LUTs)

 There is nothing quite like the beautiful color contrast that the teal and orange or orange & teal look creates. Contrasting warm skin tones to a cool background focuses the audiences eye on the talent, which come on, is the primary focus. Additionally it's kind of like a bottled up sunset or "magic hour" when the warm sunlight is illuminating everything directly and the sky is acting like a giant blue bounce card illuminating everything else that's in the shadows. In this tutorial I reveal how to get this coveted look without using LUTs that can often times break an image and not give you the results you're looking for. Other tutorials show how to do this but are too complicated and require too many steps making filmmakers feel overwhelmed. Whether you're in Adobe Premiere, DaVinci Resolve or Final Cut Pro X I show you the easiest and fastest way to get the coveted look in just two steps.

 

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